All architecture is based on the individual form. All human beings, even primitive ones, eat, sleep, walk and converse. All furnishings and architecture reflect these human actions. Civilized human beings try to carry out these tasks with some degree of elegance and stability. Over the millennia, harmonious proportions and relationships between Human beings and their built environment have been analyzed, recorded and documented. When Leonardo da Vinci drew his Vitruvious guy, he was echoing archetypal principles, which had already been discovered by the ancient Romans and Greeks. The early Greeks believed in sacred geometry and harmonious Relationships of octaves dependent on the seventh in the musical scale, in addition to fourths and fifths that generated the so-called music of the spheres.
Sacred geometry extended to the built environment, and it was considered that divinity generated through geometry. The ancient Chinese also believed in harmonious relationships between Human beings and our built environment and established human design an elaborate system of synchronizations through the practice of Fang-sui. So where does that place us in modern and contemporary society? Why do we have a look at endless arrangements of buildings and furnishings like anything new can be created? It is essential for a human body to sit therefore it is inevitable that a seat would be created. It is essential for a human body to sleep, thus it is inevitable that a bed would be created.
It is essential for a human being to converse with other human beings; therefore two chairs have to be positioned for dialogue to happen. We have to consume, therefore we must have eating utensils, and by extrapolation, tables. If all these furnishings are to be set in a useful, pleasing and harmonious relationship to one another and to the human beings using the furnishings, we then have interior layout. In writing and speaking, we have got a context for our descriptions. A narrative that is taken out of context can appear completely irrelevant if false.
Every environment has a story, a story it tells. Hence the design and architecture of a room speaks a story to us as we enter and look around. The website and the exterior design should tell us something of the inside space. In our home, the inside space should talk to us of our deepest longings and meet our deepest dreams. But there has to be context. A single persons dwelling may reflect their character entirely, even though a family home with four kids may speak of that circumstance, and possibly the narrative could be totally inappropriate for the single individual. All these considerations have to be invoked when designing distance.